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Originally Posted by Campestral music is not comedy. |
WARNING: 56k users beware
whyever not? sometimes it IS. why do people listen to music at all if not to experience some emotional response to it? partly it's a social thing, selected to mark you as being just as ALTERNATIVE as your schoolfriends, or just as POMPOUS as the other office opera bores, or just as hard-as-nails as the other street-dwelling trance-listening neds, or just as cool and sophisticated as the other people who play RnB loudly in their cars outside Trash
but that just governs
what we listen to in realtion to how we fit in with society. WHY we (people in general) listen to music at all, is that it appeals to the bits of our brain connected with feelings and emotions.
so whether you're fired up cos you're getting ready to go out, moping about cos your girlfriend chucked you, in the throes of despair cos your family was wiped out by a hurricane, dancing across the sky cos you're in love
barf music helps you make sense of the feelings. often the lyrics are an important part of this, but musical languages are more fundamental and direct than words.
our western musical language isn't just invention, it's based on conventions established over about 500 years; it's very sophisticated but relies on many simple real-world psycho-accoustic phenomena. the relationships between frequencies of certain notes (ie that your eardrum vibrates exacly four times as quickly if you play top E on a guitar as it does if you play bottom E; the B string makes it vibrate exactly 3 times as quickly) combined with our ability to PRODUCE sounds (singing, humming, whistling...) make tonal diatonic music an inevitable extension of the human body.
thus we get our system of harmony using assonance and dissonance largely from physics, and we come to expect certain things from that system. when we BREAK the rules of that system, it's unexpected - and that's exactly what comedy is, something unexpected and unusual happening.
and humour is prevalent throughout musical forms, using that technique of surprise, to satisfy our need for
aural emotional stimulus. the italian word
SCHERZO (meaning
joke is adopted to describe huge volumes of music written by Bach, Beethoven, Haydn, Chopin and countless others, and it's very often the title of light hearted musical pieces.
the way this happens can be through any of the musical resources available: often ornamentaion (trills, mordants, appogiaturas etc), sudden and unexpected key changes or modulations, repetition of musical themes and material adapted by changing the key reigister, instrument (flight of the bumblebee on a tuba...

) or altering of the rhythm, rubato...
but in EXACTLY the same way as a joke with words, if you make someone think they're going to hear one thing, and then they hear other, the result is humour.